{"id":41,"date":"2008-05-19T21:23:01","date_gmt":"2008-05-19T19:23:01","guid":{"rendered":"http:\/\/localhost\/newtimsummerssite\/?page_id=30"},"modified":"2020-03-15T15:00:51","modified_gmt":"2020-03-15T22:00:51","slug":"britten-benjamin-suite-no-3-for-solo-cello","status":"publish","type":"page","link":"http:\/\/www.timsummers.org\/?page_id=41","title":{"rendered":"Britten, Benjamin: Suite No. 3 for Solo Cello"},"content":{"rendered":"<p>The third cello suite of Benjamin Britten &#8211; like the Sonata in C for cello and piano, the &#8216;Cello Symphony&#8217;, and the first two cello suites &#8211; was written for Britten&#8217;s friend Mstislav Rostropovich. It was also a tribute to Dmitri Shostakovich, who introduced the two men at the London premiere of his own Cello Concerto in 1960. (Britten had many friends among Soviet musicians: there is some beautiful footage of a two-piano concert with the mysterious Sviatoslav Richter, who dropped in, rather suddenly, to play Schubert at Britten&#8217;s festival in Aldeburgh). The third suite is based on three Russian songs (Mournful Song, Autumn, and Street Song) from Tchaikovsky&#8217;s volumes of arrangements, and on Kontakion (Hymn for the Departed) which he found in the English Hymnal. The form of the suite, stretched over nine movements, is simple, but backwards: the variations come first, and the themes are revealed in the coda. It is Britten&#8217;s last work for the cello, completed in 1971.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The third cello suite of Benjamin Britten &#8211; like the Sonata in C for cello and piano, the &#8216;Cello Symphony&#8217;, and the first two cello suites &#8211; was written for Britten&#8217;s friend Mstislav Rostropovich. It was also a tribute to Dmitri Shostakovich, who introduced the two men at the London premiere of his own Cello [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":21,"menu_order":122,"comment_status":"open","ping_status":"open","template":"","meta":[],"aioseo_notices":[],"_links":{"self":[{"href":"http:\/\/www.timsummers.org\/index.php?rest_route=\/wp\/v2\/pages\/41"}],"collection":[{"href":"http:\/\/www.timsummers.org\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/www.timsummers.org\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/www.timsummers.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.timsummers.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=41"}],"version-history":[{"count":1,"href":"http:\/\/www.timsummers.org\/index.php?rest_route=\/wp\/v2\/pages\/41\/revisions"}],"predecessor-version":[{"id":1289,"href":"http:\/\/www.timsummers.org\/index.php?rest_route=\/wp\/v2\/pages\/41\/revisions\/1289"}],"up":[{"embeddable":true,"href":"http:\/\/www.timsummers.org\/index.php?rest_route=\/wp\/v2\/pages\/21"}],"wp:attachment":[{"href":"http:\/\/www.timsummers.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=41"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}